Weeds
This page is designed to accompany gallery viewing of my large floral oil paintings

Mother
(sugar plum poppy)Oil on canvas160cm x 160cm
When I came out of the other side of my Artist’s block about a year after mom’s funeral, I resolved a few things about my practice. Mostly that I would paint whatever I wanted to, for me, that I would paint what was important to me and not care about whether it would be commercial or Avant-Garde. I have often talked at length with other artists at various fairs and shows, one thing that stuck in my memory was “paintings of flowers don’t sell” A few artists have said this to me. In reply I say “I don’t care”.
Mom was a fantastic garden designer who won RHS medals for show gardens at Chelsea and Malvern but more importantly focused on sustainability and produced gardens that meant a great deal to her, she did not just follow the money. Her Legacy is in gardens that assist the healing process, such as her garden for grieving parents at the National Memorial Arboretum, her last garden at Hellen’s manor and her stunning garden at St Michael's Hospice in Hereford. Her favoured design pallet reminded me of the colours of the poppy. She is still here in the gardens she left behind for us.
When I finished the painting, I varnished it, but because I had been out of action for a good while the varnish had settled and even though I shook the bottle well it didn’t work and ruined the painting, I had to spend several heart-breaking hours scrubbing the varnish off with turpentine and in doing this I badly marked the surface of the painting, This meant I had to repaint the whole thing again over the top.
Father
(Dandelion) oil on canvas, 2024 160cm x 160cm
A weed is a wildflower in the wrong place, I love dandelions, I think they might just be my favourite flowers, and boy are they underrated. Every weedkiller seems to carry their image, like public enemy number one.
Have you ever taken the time to really look at one? up close? they are like miniature Dahlias, a tiny idol to the God Ra defiantly staring back at him. It is enjoyable to see the profound and divine in a tiny weed. The dandelion painting is also a little ode to my father, like the poppy is mother. Dad is not in the least bit pretentious much like our jolly yellow weed. He is musical, kind, stoic and resilient. This painting went much more smoothly than the poppy and I even almost enjoyed it.
The etymology of Dandelion is not what I was expecting, it comes from the French – dent de lion - teeth of lion, or lion’s tooth, and relates to the serrated leaves. In France today it is called pissenlit - "wet the bed" in reference to it's diuretic properties.


Weed
(Dandelion II) oil on canvas, 2025 200cm x 200cm
I revisited my muse, the dandelion. Spending my spare time over several weeks in March and April searching out the best looking dandelions I could find, and photographing them.
This painting was a marathon. I finished it a week before the Beating the bounds show after two weeks of ten hour days on it. It had been developing slowly before that and was about half finished, so I can thank Hellens for kicking me up the backside to finish it in 2025 rather than 2026.
The main aim of painting these little flowers on large canvases is to attempt to make people appreciate them for their intricate beauty and realise they are a truly wonderful weed, every stage of a dandelion is beautiful in my eyes.
Dandelions have become a symbol of untidiness, I wish to embrace this natural and organic untidiness.
Poppy 2 and 3
Both 101cm x 101cm
The two floral paintings hanging either side of the huge Dandelion are the first 2 of a series of 9 paintings I am planning to make at this size. They both depict oriental poppies. One is a smaller version of the Mother painting at the opposite end of the hall.
